Artist bio: Jason Michael Hackenwerth
b. 1970, St. Louis, MO
lives and works in NYC.
EDUCATION
2003
MFA Savannah College of Art and Design. Savannah, GA.
1993
BFA Webster University. St. Louis, MO.
SOLO EXHIBITIONS
(* Denotes performance)
2009
Micro Macro, Firehouse Gallery, Burlington, VT
Lightning, St. Pete's Times Forum installation, Tampa, FL
Cochleapods, Herron Gallery IUPUI, Indianapolis, IN
2008
Predator and Pray, Cecile R. Hunt Gallery, St. Louis, MO
Megamites at MAD*, Museum of Arts and Design, New York, NY
Phantoms, Navta Schultz Gallery, Chicago, IL
2007
The Madonna Project*, Art Basel Miami Beach, Miami, FL
The Ride of Lady Godiva, Bloomingdale?s window display, New York, NY
The Sheppard, City Museum, St. Louis MO.
Megamite Army*, Coachella Music Festival, Coachella Valley, CA
Digital Brain, Four Seasons installation, NYC
Liminal Space, Lyons Wier Ortt Gallery, NY
2006
Megamite Army*, Flow Art Fair during AMBD, Miami, FL
Orgasmoebic, Raid Projects, |
Artist statement: Using balloons to make sculptures has magical results, and built in challenges. The works are instantly recognizable as an exuberant celebration of life. They offer joy, hope, and inspiration to anyone at any age, and require no deep understanding of contemporary art to enjoy. As closely related to exotic flowers as they are to deep-sea creatures, or microorganisms, the works communicate about connectivity.
This becomes literal when a person gets inside a “wearable” sculpture called a Megamite to engage audiences or perform choreographed steps.
These interactions are meant to personalize the experience between the viewer and the art. Breaking down barriers between contemporary art and modern life.
The challenge of balloons is their temporality. This work is experiential, not commodity based. It’s offered as a bright smile of hope if only ever briefly. Some works last just weeks or months. This fleeting fact increases its rarity and the urgency to see it while it exists |