Work statement: Through exploring prime forms of physical interaction, which are crafted to echo and distort sympathetic relationships between decorative arts traditions and those of the gallery-museum a blending of end logics can occur. In my work it is important to foster third party meanings between the tissue of ideas and the pre-linguistic language of objecthood. These active nodes are created through neutral and suppressed (direct) lines of logic as I try to dissolve the relationship between subject and object. The gallery wall is important to my work as an institutional stage that provides a reflexive space that is the seedbed for transformation. The installation work stretches the gallery wall to interact with decorative ornamentation, to physically demonstrate a type of tissue that connects ideas, space, material and social communities to each other. By presenting the public a paired back interpretation of realms of interconnection, I ask “Where does the gallery end and the work begin?” |